We like to think of Lit. 202 as the bridge between publishing on your personal blog and publishing in The New Yorker, for worthy example.
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Highlights
- Vibe:Send us your best but less intimidating
- Response time: 21 days after submission*/Editor reported data34 days*Chill Subs tracker stats
- Acceptance rate: ?*/Editor reported data?*Chill Subs tracker stats
Publication
Accepts simultaneous submissions
What's that?
When you can submit your work to multiple magazines at the same time
Accepts previously published
What's that?
When the magazine wants to publish your previously published work. Requirements vary
Nominates for prizes
Active on social media
Available in print
Provides contributor copies
Has examples online
Offers expedited response
Runs themed calls
How to submit
Processs
Email
Cover letter
You may also include a short bio, no more than 300 words, to be added below your work, along with any social media links and websites.
Eligibility
No specific eligibility requirements
Formatting
This magazine does not list any details on their website for this section.
Author's rights
Should we choose to progress with your submission, Lit. 202 will retain first UK rights to publish, promote, and redistribute the work, which will revert to the author upon publication. Ownership rights as well as those regarding publication in other territories remain with the author. You are also free to publish your work elsewhere after it has appeared in Lit. 202. We do however request that credit is given to Lit. 202 as first publisher in the event of the piece appearing in another publication in the future.
Additional info
We provide personal feedback where we feel it is deserved or needed.
Tracker statistics
6
Total submissions tracked
34 days
Average response time
Average acceptance rate
25 days
Fastest response time
Сhill Subs is able to provide internal statistics because you use our tracker! You're the best!
About
The inception of Lit. 202 comprised a meld of frustration and ambition: frustration with the modern publishing industry, and the personal literary ambitions of our editors, for we are as much writers as we are readers! Whether we, as authors, like it or not, the modern industry is all about exposure...
Read moreCountry
GB
Masthead
Alexander P. Harwood
Editor-in-Chief