We like to be surprised; we like writing that’s razor sharp, immediately transporting us with a strong voice and sense of place. We like work that is thoughtful and cathartic, that embraces conflict, and isn’t afraid to take risks. We love pieces that blur the boundaries of genre.
Highlights
- Vibe:Send us your best but less intimidating
- Response time: ?*/Editor reported data73 days*Chill Subs tracker stats
- Acceptance rate: ?*/Editor reported data3.94%*Chill Subs tracker stats
Publication
Accepts simultaneous submissions
What's that?
When you can submit your work to multiple magazines at the same time
Accepts previously published
What's that?
When the magazine wants to publish your previously published work. Requirements vary
Nominates for prizes
From the editors
Best American, Best Microfiction, Best Of The Net, Best Small Fiction, O Henry, Pushcart
Active on social media
Available in print
Provides contributor copies
Has examples online
How to submit
Processs
Submittable
Cover letter
This magazine does not list any details on their website for this section.
Eligibility
No specific eligibility requirements
Formatting
This magazine does not list any details on their website for this section.
Author's rights
Author retains copyright, but is asked to cite appearance in Exposition Review if the work is republished elsewhere.
Additional info
Every issue has a theme from which writers and artists can draw inspiration.
Tracker statistics
64
Total submissions tracked
73 days
Average response time
Average acceptance rate
20 days
Fastest response time
Сhill Subs is able to provide internal statistics because you use our tracker! You're the best!
About
Exposition Review is also dedicated to creating opportunities for writers and artists to share their voices through our annual issue, Flash 405 contests, and #ExpoPresents events, which include staged readings, panels, and our signature micro-workshops in locations throughout Southern California (an...
Read moreFounded
2016
Country
US
Masthead
Annlee Ellingson
Editor-in-Chief
Laura Rensing
Editor-in-Chief