The Kintsugi Journal
Literary Magazine
A team of two, we're looking for diverse voices and stories that highlight themes of healing, and art of mending.
Highlights
This magazine may have some eligibility requirements
Please double-check before submitting.
- Vibe:Top-tier stuff. Not Paris Review, but ok
- Response time: Within a week.*Editor reported data
- Acceptance rate: 50% *Editor reported data
PaysNo
FeeNo
Accepts simultaneous submissions
What's that?
When you can submit your work to multiple magazines at the same time
Accepts previously published
What's that?
When the magazine wants to publish your previously published work. Requirements vary
Nominates for prizes
Active on social media
Available in print
Provides contributor copies
Has examples online
Offers expedited response
What's that?
Expedited submission: When the magazine offers a faster response time for an extra fee
Poetry
No specific limitations
Review
No specific limitations
Art
No specific limitations
Photography
No specific limitations
How to submit
Processs
Google / other forms
Cover letter
Author Bio and Photo: Include a brief author bio (50-100 words) with your submission. You may also submit a high-resolution author photo.
Eligibility
Creators from a specific location / ethnic groupAll marginalized creatorsLGBTQ+ creatorsWomen and other marginalized gendersYoung creators18+Creators w/ disabilities
Formatting
Submit your work in a Word document or Google Doc. Use standard fonts (like Arial or Times New Roman) and avoid excessive formatting.
Author's rights
We don't have rights information for this magazine
Additional info
Tracker statistics
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Submission calls
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About
Welcome to The Kintsugi (Japanese: 金継ぎ, romanized: "golden joinery"), where we celebrate the beauty of resilience and transformation. Our magazine explores into stories of renewal, creativity, and the art of embracing imperfections. Join us as we explore how life's cracks can be the pathways to a mo...
Read moreFounded
2024
Country
IN
Masthead
Tanushree Gogoi
Editor-in-Chief
Upanshu Das
Editor-in-Chief